Preliminary Exercise 16: Introduction to Editing in Film
Introduction
Score: ______/60 marks | |
Word | Meaning and how are they used by filmmakers. |
Editing in Film | Film editing is the art and craft of cutting and assembling finished film and is used by filmmakers to refine their shots and tell a story. |
Editor (n/a) | A person who works for a publishing company and is in charge of the final product. Film makers use editors to make their shots have effects or cuts that they want. |
Shot | A series of frames that run for a period of time. Filmmakers use these to make a movie. |
Sequence | A series of multiple scenes. Filmmakers use this as a measuring method to see if their scenes/ shots would tie in the stories frame. |
Scene | Consists of a sequence of events and is shot in one continuous frame or spliced with multiple shots. Filmmakers use this as portions of their story ultimately put together. |
Continuity Editing | Continuity editing is when shots are put together in a chronological sequence with no interruption. Filmmakers commonly use this as it’s easier and not hard to understand. |
Discontinuity Editing | Discontinuity editing is when the shots are off the chronological sequence and is out of order. Filmmakers use this to tell a unique story. |
spatial editing | When shots are joined together to construct a film space unique to the film. Filmmakers have their editors use this to make their story have a atmosphere. |
temporal editing | A type of editing between shots to control time. Filmmakers have editors do this to convey order and frequency between events
|
cut | The form of a transition between shots. Filmmakers use this to progress the story and move on from one shot. |
establishing shot | A establishing shot is usually the first shot and shows a good majority of the setting in a film. Filmmakers use this to introduce the audience to the setting and story of the film. |
180-degree rule | An imaginary axis where the camera is kept on one side. Filmmakers use this type of camera rule to build dynamic and relation between characters in a shot. |
insert shot | The purpose of a insert shot is to direct the audience attention to a specific detail in a scene. Film makers largely use this to grab attention to an important key part of the story. |
j cut | An editing technique where the audio from the next scene plays in the original existing scene before it transitions. Film makers use this to capture the audience's curiosity. |
l cut | An editing technique where the audio from the shown scene is played in the next shot. Film makers use this to juxtapose dialogue and sound in a scene. |
post-production, | Postproduction is when the film is done being recorded and is now ready for editing. Film makers then have editors cut and make changes to the raw recordings. |
visual effects | The process of creating or manipulating imagery in film. Film makers use this to enhance their story and refine the visuals. |
CGI | Computer generated imagery. Film makers use this to bring to life things that arent natural or just hard to do in the real world. |
expansion of time | The introduction of time which causes the shot or scene to go slower. Film makers use this to build tension. |
ellipsis | When unnecessary movement or action in the story is removed. Film makers use this to save time and prevent boredom. |
slow motion
| When the shot is played in a slower speed than originally recorded. Film makers use this to either build tension or to show the audience details they missed. |
Dissolve | When shots are blended or overlapped together. Film makers use this as a transition. |
wipe | A transition technique where the original scene is “wiped” to the next. Film makers use this transition to progress the story in a fashionable way. |
Flashback | A flashback is a cut back in time in the story which shows an past event. Film makers use this to add more depth in the story or build a character. |
Flashforward | A flash-forward is a cut forward in time which shows the future. Film makers use this to forebode something. |
Kuleshov Effect | A mental phenomenon where the audience can derive meaning from two back-to-back shots. Film makers use this to build meaning and have the audience think upon the story. |
Rough cut | The first edited version of the film. Film makers use this to get a general idea of what it would look like before refining. |
long take | A long take is a uninterrupted shot that goes on for a longer period of time. Film makers use this to build a slower paced story. |
short take | A short take is a shot that doesn't go on for long. Film makers use this to build action and a fast-paced film. |
fade in | When the light is eased in. Film makers use this to introduce their film or a shot. |
fade out | When the light is eased out in a shot. Film makers use this to wrap up their film or end a shot. |
Editing Technique (Shot/Reverse Shot) | ||
Definition | Cutting back and forth between action occurring in two different locations | |
Describe (2) ways editors utilize this technique | ||
Editors use this technique to build character | Used to demonstrate a character is in control | |
What effects does the technique have on the audience? Discuss genre, emotions, and messages communicated by each technique. | ||
Shows relationships between characters. Anger, happiness. | Gives the audience different perspectives of the same scene. Informs | |
Add Images from film and document the title of the film and year released.
The Dark knight (2008)
Editing Technique (Action Match) | ||
Definition | A match on action occurs when the action in one shot flows smoothly into the next. It’s the basic tool of continuity editing. | |
Describe (2) ways editors utilize this technique | ||
Editors use this to transition to the next shot | Editors use this to keep the level of continuity | |
What effects does the technique have on the audience? Discuss genre, emotions, and messages communicated by each technique. | ||
It keeps the audience engaged. | It makes it easier on the audience to understand the time in the film. | |
Grease (1978)
Editing Technique Jump cut | ||
Definition | A jump cut is a film editing technique that breaks a single continuous shot into two parts, with a piece of footage removed to create the effect of jumping forward in time | |
Describe (2) ways editors utilize this technique | ||
They form a montage. | Cut forward in time multiple times. | |
What effects does the technique have on the audience? Discuss genre, emotions, and messages communicated by each technique. | ||
It can build any emotion like excitement or in the picture below a depressive mood. | This technique can also advance time fast and in a clear understandable way. | |
The Royal Tenenbaums (2002)
Editing Technique (Cut Away) | ||
Definition | Cuts away from the main action to indicate something else in the film. | |
Describe (2) ways editors utilize this technique | ||
To provide information | To flesh out a story | |
What effects does the technique have on the audience? Discuss genre, emotions, and messages communicated by each technique. | ||
Allows the audience to see the characters mindset. What they’re feeling. | Creates tension allowing viewers to feel suspense. | |
Editing Technique (Crosscutting) | ||
Definition | Switching back and forth between scenes | |
Describe (2) ways editors utilize this technique | ||
To capture phone or video conversations | To show action happening at the same time/space during a scene | |
What effects does the technique have on the audience? Discuss genre, emotions, and messages communicated by each technique. | ||
Provides a sense of urgency for the viewers | Misdirects the audience to build suspense | |
Mean girls (2004)
Editing Technique (Eyeline match) | ||
Definition | An eyeline match is a filmmaking and editing technique that shows what the character on-screen is seeing | |
Describe (2) ways editors utilize this technique | ||
They match the actor eyes towards the subject | Maintains a spacial relationship | |
What effects does the technique have on the audience? Discuss genre, emotions, and messages communicated by each technique. | ||
This helps the audience see the point of view of the character | This can build shock or surprise the audience. | |
Burn after Reading (2008)
Editing Technique (Graphic Match) | ||
Definition | The graphic match cut is when the visual composition of one shot matches the visual composition of the next shot. | |
Describe (2) ways editors utilize this technique | ||
To connect two different scenes with similar visual styles | They consider the theme and symbolism within the technique | |
What effects does the technique have on the audience? Discuss genre, emotions, and messages communicated by each technique. | ||
It can convey emotions of awe. | It can effectively take the audience into another portion of the story without confusion. | |
Space Odyssey (2001)
Editing Technique (Parallel Editing) | ||
Definition | The intercutting of two scenes with similar action. | |
Describe (2) ways editors utilize this technique | ||
They build suspense using it | It sets the pacing for the film | |
What effects does the technique have on the audience? Discuss genre, emotions, and messages communicated by each technique. | ||
It gives the audience a sense of time. | This technique also rises the tension in a film. | |